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US Consulate, Morehouse College Hold Music Masterclass, Performance For Over 1000 Youths

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The United States Government is committed to strengthening its bilateral ties with Nigeria through music, arts and film which brings diverse people together and creates space for discussion and exchange.

 

The United States Consulate General Lagos supported the Morehouse College Glee Club in Atlanta, Georgia, to organize music masterclasses and choral performances for more than 1000 secondary and tertiary students and choir directors in Lagos, Enugu, and Akwa Ibom states.

 

The Glee Club, which is also celebrating the 50th year anniversary of its first tour in Nigeria performed American songs, particularly African-American spirituals, which have roots in West African music with more than 30 student choral groups across the three states.

 

The music masterclasses and choral performances led by the Director of Morehouse Glee Club, Professor David Morrow, Morehouse Glee Club Vocalist, Professor Timothy Miller and Assistant Professor of Music and Director of the Africana Digital Ethnography Project, Dr. Aaron Carter-Enyi provided participants the opportunity to learn and improve their musical skills.

 

In her remarks at the grand finale held at the University of Lagos, U.S. Consul General Claire Pierangelo noted that the music masterclasses and choral performances showcased the U.S. Mission’s strong commitment to strengthening cultural relations between the people of Nigeria and the United States.

 

She underscored the importance of music as a powerful medium for fostering cooperation, dialogue, and promoting cross-cultural collaboration.

 

“We recognize that we have many common interests, especially in areas as diverse as music, film and the arts through which we create dialogue and exchange. The role of music in diplomacy cannot be overemphasized, especially with its emphasis on free expression, creativity and collaborative teamwork,” she said.

 

Pierangelo stated that the deep ties between the United States and Nigeria are extended through institutions like Morehouse College and other historically black colleges and universities (HBCUs) in the United States, which have continued to serve as home for international students seeking education in the United States, including many from Nigeria.

 

She added that Nigeria currently ranks highest among African countries and 10th largest country in the world with students in U.S. institutions, and this has continued to expand U.S. and Nigeria’s international partnership, deepening our bilateral ties.

 

“We are thrilled to see and support this capacity building of emerging music makers. I know that these music masterclasses will enhance our cultural engagement with the people of Nigeria and highlight growing U.S.-Nigeria ties and the vast potential of African-American music to the African continent and beyond,” she said.

 

Fifty years ago, the Morehouse College Glee Club organized its first musical tour to Nigeria with the support from the U.S. Department of State and there were song exchanges between both countries. Today, U.S. high school and college choirs including the Morehouse College Glee Club often sing in Nigerian languages, showing the long-term impact of that exchange.

 

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Tunde Ednut Earns $5,000 Per Day! -Report

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“Tunde Ednut earns $5,000 average per day, ISWIS made approx $200,000 from live events in one month” — Chude Jideonwo unveils creator economy data at Digital Creator Africa Summit
At the inaugural Digital Creator Africa Summit, media entrepreneur and #WithChude host Chude Jideonwo unveiled new data positioning the Nigerian creator economy as one of the most commercially powerful industries on the continent.
Highlighting explosive growth and overlooked business models, Jideonwo revealed that:
 • Tunde Ednut, the former musician turned Instagram media mogul, is estimated to earn over $5,000 a day through his platform — with a business model based on affiliate promotion, Instagram advertising, and music amplification.
 • The hit podcast “I Said What I Said” (ISWIS) reportedly made approximately $200,000 in gross revenue from live events alone in a single month, drawing thousands of fans across there US, the UK and Canada.
 • “What these numbers show,” Jideonwo said, “is that creators are no longer just influencers — they are media companies, and increasingly, nation-builders.”
The summit, held in Lagos and attended by creators, investors, and media leaders, was designed to shift the conversation from virality to value — reframing content creation as infrastructure, not just entertainment.
As part of his address, Jideonwo announced his $500,000 personal commitment to the FourthMainland Creator Fund — a catalytic investment vehicle to back high-potential African creators with funding, IP support, and platform distribution.
“We’re building the Mavin Records of storytelling,” he said. “Not just with fame, but with financial tools, ownership, and a full studio system that lets creators scale across the continent and diaspora.”
The Creator Fund is part of the broader FourthMainland ecosystem, a creator commerce platform set to launch in 2026. The platform will offer monetization tools, subscription infrastructure, and joint-IP models built around African content — positioning it as the first at-scale infrastructure for the continent’s growing $100B creator economy.
Jideonwo, whose ventures include Joy, Inc., #WithChude, and YNaija, closed with a call to funders and policymakers:
“If music had Mavin Records and tech had CcHub, then creators now have their studio systems — their Mavins — and they’re building billion-dollar value chains without waiting for permission.”
The keynote, titled “Overtaking is Allowed,” argued that Africa’s most important civic and cultural shifts today are being led by independent creators, and that media-tech infrastructure for creators is now one of the biggest opportunities for economic growth across the continent.
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Excitement, Joy as Lagos Guber Hopeful, Jandor Marries in Qatar

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It was a weekend of glamour, joy and excitement as Lagos politician and businessman, Olajide Adediran, popularly known as Jandor, tied the knot in faraway Qatar.

The destination wedding which took place at the Fairmont Hotel, Doha drew close friends, family and political associates, was nothing short of magical. With the exotic backdrop of Doha’s luxury setting, Jandor and his bride exchanged vows in an intimate but elegant ceremony that had the air of class, style and exclusivity.

Guests, many of whom jetted in from Lagos and Abuja, were treated to a blend of traditional Nigerian warmth and Middle Eastern splendour. From the lavish décor to the exquisite cuisine, it was an affair that reflected both cultures in perfect harmony.

For Jandor, who has continued to attract attention on the Lagos political scene, the wedding to his heartthrob, Bukola was a refreshing moment of happiness, away from the hustling pulse of politics. His bride, radiant in her flowing attire, was the toast of the evening, with cameras capturing every dazzling smile.

As the couple began their journey together, family and well-wishers showered them with prayers, gifts and best wishes. The event, insiders say, will be remembered for its intimacy, its class, and the joy it radiated across the circles of Lagos high society.

 

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‘I want people to settle our fight, but…’ K1’s Lead Drummer,Ayanlowo Gives Condition For Reconciliation

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-Ayotunde Ayanda

 

K1’s lead talking drummer, Ayankunle Ayanlowo has listed the condition for him to reconcile with his boss, Wasiu Ayinde, the Mayegun of Yorubaland.

 

At his home in Felele, Ibadan in a private chat, the drummer in his request stated ‘I want them to settle our fight. I want them to call us together, he(Wasiu) should be God-fearing and state his part, while I should also be present to speak my mind. The elders should step in but God knows, I will never go back to him’.

 

When asked why he vowed never to go back, Ayanlowo replied, ‘he is vindictive, he never forgives and I’ve placed everything in the hands of God. I can never go back to the band”.

 

The lead drummer while confirming that some cleric leaders and traditional rulers have waded into the matter also said ‘part of my condition is that at any location they pick for the peace-meeting, if anything happens to me, I would hold the people that call for the meeting responsible and they’ve assured me nothing of sort would happen”.

 

He hinged his fears on the attack at his Felele, Ibadan home where his windows was shattered by people he believed to be loyalists of his boss.

 

‘I’ve worked with him for 32 years and now I want to be on my own, I’ve tried! They should just leave me in peace’, he begged.

 

Ayankunle had accused Wasiu  of providing a poor welfare package for his band members, which KWAM 1 has since denied and this has generated a lot of issues that called for the intervention of top monarch, the Aseyin of Iseyin, Oba Sefiu Adeyeri who claimed to have instructed Ayankunle to stop posting videos or granting interviews.

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