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Memories: My Encounter With American Singer, John Legend In Ibadan -Ayotunde Ayanda

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It was a sunny Sunday afternoon ( I can’t remember the exact month) in 2007. I was in church, dozing off while feeling the coolness of the air conditioner and not really paying attention to the boring sermon from the Pastor when my Nokia 3310 gave a notification that I had a  message. Was it an alert ? Did I set any appointment?  I don’t usually have appointment on Sundays.

I was fiddling with my phone while battling with the thought of reading the message after the sermon. I was jolted back into reality when I unlocked the screen and realised the sender was a colleague, Akeem Azeez (the present Personal Assistant to the Oyo State Governor, Seyi Makinde) he only gets in touch whenever there was an emergency.

As usual, the text was simple and was more of an order than an invite…’join us for an afternoon session with John Legend at 2pm. Venue, the University College Hospital’.

I had a million thoughts flushed over me. What is John Legend doing in Ibadan? Or is there another John Legend? Abi he wanted to say John Fashanu?

I was convinced it wasn’t the same John Legend, that American singer and a protege of Kanye West that was taking the entertainment world by storm with songs like ‘Cold Outside’, ‘Ordinary People’, ‘All Of Me’.

But as a journalist, either it was John Fashanu or John Legend, both of them were newsworthy.

I rushed out of the church, flagged a bike and headed to the University College Hospita, Ibadanl.

I was disappointed when I got to UCH and a young nurse told me they just left. I fired a question at her ‘you mean John Legend was here?’. From the expression on her face you could tell she didn’t know who John Legend was. Her response was, some people came here to dedicate the Children’s ward and they just left.

I rushed out again and was wondering what my next line of action should be, when another text message entered my phone…’you know Aunty Lanre’s house at Jericho? It’s called Ajitoni’s Court. Meet us there’.

I didn’t know if I was running or flying, I flagged another bike and told the rider, ‘get me there in 5 minutes and take 200 Naira’. That simply did the magic! We got there in exactly 7 minutes.

As I entered the compound I sighted a slightly bow-legged, fair skinned guy talking to some people. I was still trying to get familiar with the atmosphere when someone grabbed my elbow and said ‘lets go and meet him’.

I was trying to protest, asking ‘is this John Legend? Does he have a bow-leg?’ when he looked back and smiled,  and instantly the recognition dawned on me and I remembered seeing that cherubim face on the jacket of the Get Lifted album. We pumped fist and I made to hug him but drew back when I saw a towering image standing behind him, obviously his bodyguard. He made a signal I couldn’t understand. We sat down and after some minutes of trying to get familiar with his accent, we started a conversation with the first question from Alhaji Akeeb Alarape, the Sun Newspaper correspondent who is now a farmer in Iwo, Osun State.

He told us Tayo, one of the daughters of Chief Mrs Lanre Otiti, a very respected woman, an Ibadan chief who practised nursing for many years in the United States was his friend. In fact he called her his manager.

He explained that he was in Nigeria with his team for the Thisday Newspapers Festival when Tayo told him her mother would like him to come and dedicate a Children’s Ward in Ibadan. He said he was amused, he loves children and would like to give his support to anything that has to do with children all over the world, particularly in Africa.

I told him the acceptance his music enjoys in Nigeria, and he was thrilled when I sang the first verse of his ‘Ordinary People’ track.

He said he was aware of the impact his song was having on the youths and he confirmed his plan was to sing and stage carnivals where he wants to preach love, unity, support and also speak against drug abuse, violence and other vices known among the youths.

He was of the opinion that the Nigerian entertainment industry was doing good and he predicted a boom in the next 5 years (and he was right!).

When I asked if he listens to Nigerian songs, he said he listened to Fela and some other African musicians.

We had a lengthy discussion and he promised to get back to me by email (which he must have obviously forgotten) and he left with his team as they were to perform that night at the awards in Lagos.

He made a good impression on me, I didn’t try to get in touch after then, but funnily I still love his songs and followed him on instagram. Maybe one day I would be bold to post the picture we had and refresh his memory…one day, maybe or maybe not.

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Tunde Ednut Earns $5,000 Per Day! -Report

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“Tunde Ednut earns $5,000 average per day, ISWIS made approx $200,000 from live events in one month” — Chude Jideonwo unveils creator economy data at Digital Creator Africa Summit
At the inaugural Digital Creator Africa Summit, media entrepreneur and #WithChude host Chude Jideonwo unveiled new data positioning the Nigerian creator economy as one of the most commercially powerful industries on the continent.
Highlighting explosive growth and overlooked business models, Jideonwo revealed that:
 • Tunde Ednut, the former musician turned Instagram media mogul, is estimated to earn over $5,000 a day through his platform — with a business model based on affiliate promotion, Instagram advertising, and music amplification.
 • The hit podcast “I Said What I Said” (ISWIS) reportedly made approximately $200,000 in gross revenue from live events alone in a single month, drawing thousands of fans across there US, the UK and Canada.
 • “What these numbers show,” Jideonwo said, “is that creators are no longer just influencers — they are media companies, and increasingly, nation-builders.”
The summit, held in Lagos and attended by creators, investors, and media leaders, was designed to shift the conversation from virality to value — reframing content creation as infrastructure, not just entertainment.
As part of his address, Jideonwo announced his $500,000 personal commitment to the FourthMainland Creator Fund — a catalytic investment vehicle to back high-potential African creators with funding, IP support, and platform distribution.
“We’re building the Mavin Records of storytelling,” he said. “Not just with fame, but with financial tools, ownership, and a full studio system that lets creators scale across the continent and diaspora.”
The Creator Fund is part of the broader FourthMainland ecosystem, a creator commerce platform set to launch in 2026. The platform will offer monetization tools, subscription infrastructure, and joint-IP models built around African content — positioning it as the first at-scale infrastructure for the continent’s growing $100B creator economy.
Jideonwo, whose ventures include Joy, Inc., #WithChude, and YNaija, closed with a call to funders and policymakers:
“If music had Mavin Records and tech had CcHub, then creators now have their studio systems — their Mavins — and they’re building billion-dollar value chains without waiting for permission.”
The keynote, titled “Overtaking is Allowed,” argued that Africa’s most important civic and cultural shifts today are being led by independent creators, and that media-tech infrastructure for creators is now one of the biggest opportunities for economic growth across the continent.
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Excitement, Joy as Lagos Guber Hopeful, Jandor Marries in Qatar

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It was a weekend of glamour, joy and excitement as Lagos politician and businessman, Olajide Adediran, popularly known as Jandor, tied the knot in faraway Qatar.

The destination wedding which took place at the Fairmont Hotel, Doha drew close friends, family and political associates, was nothing short of magical. With the exotic backdrop of Doha’s luxury setting, Jandor and his bride exchanged vows in an intimate but elegant ceremony that had the air of class, style and exclusivity.

Guests, many of whom jetted in from Lagos and Abuja, were treated to a blend of traditional Nigerian warmth and Middle Eastern splendour. From the lavish décor to the exquisite cuisine, it was an affair that reflected both cultures in perfect harmony.

For Jandor, who has continued to attract attention on the Lagos political scene, the wedding to his heartthrob, Bukola was a refreshing moment of happiness, away from the hustling pulse of politics. His bride, radiant in her flowing attire, was the toast of the evening, with cameras capturing every dazzling smile.

As the couple began their journey together, family and well-wishers showered them with prayers, gifts and best wishes. The event, insiders say, will be remembered for its intimacy, its class, and the joy it radiated across the circles of Lagos high society.

 

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‘I want people to settle our fight, but…’ K1’s Lead Drummer,Ayanlowo Gives Condition For Reconciliation

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-Ayotunde Ayanda

 

K1’s lead talking drummer, Ayankunle Ayanlowo has listed the condition for him to reconcile with his boss, Wasiu Ayinde, the Mayegun of Yorubaland.

 

At his home in Felele, Ibadan in a private chat, the drummer in his request stated ‘I want them to settle our fight. I want them to call us together, he(Wasiu) should be God-fearing and state his part, while I should also be present to speak my mind. The elders should step in but God knows, I will never go back to him’.

 

When asked why he vowed never to go back, Ayanlowo replied, ‘he is vindictive, he never forgives and I’ve placed everything in the hands of God. I can never go back to the band”.

 

The lead drummer while confirming that some cleric leaders and traditional rulers have waded into the matter also said ‘part of my condition is that at any location they pick for the peace-meeting, if anything happens to me, I would hold the people that call for the meeting responsible and they’ve assured me nothing of sort would happen”.

 

He hinged his fears on the attack at his Felele, Ibadan home where his windows was shattered by people he believed to be loyalists of his boss.

 

‘I’ve worked with him for 32 years and now I want to be on my own, I’ve tried! They should just leave me in peace’, he begged.

 

Ayankunle had accused Wasiu  of providing a poor welfare package for his band members, which KWAM 1 has since denied and this has generated a lot of issues that called for the intervention of top monarch, the Aseyin of Iseyin, Oba Sefiu Adeyeri who claimed to have instructed Ayankunle to stop posting videos or granting interviews.

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